reviews

Publications:

Forthcoming monograph (2010): The Music of David Lumsdaine will be published by Southern Voices as part of a series edited by Graham Hair.
Forthcoming (2010): ‘Forming, Submerging, Flames, Air: A Musical Architecture for Vic Hoyland’s Phoenix’, Tempo (accepted for publication on 17 August 2009).
Forthcoming (2010): ‘David Lumsdaine’s Mandala 3’, proceedings from the 2006 International Musicological Society (IMS) conference, Göteborg, Sweden.
2008: I edited issue two of the online journal resonate. This issue re‑evaluates music from the 1960s and 1970s written by Australian composers. My own contribution is an article on the early piano music of David Lumsdaine, a series of interviews with composers and performers, and an editorial.
2004: ‘David Lumsdaine’s Kelly Ground’ in Modernism in Australian Music, 1950-2000: Eight Case Studies, ed. Graham Hair (Amaroo: Southern Voices).

Conference Papers:

2010 (upcoming): Royal Musical Association annual conference, Institute of Musical Research – ‘Detailing the Wardour Castle Summer Schools’.
2009: International Conference of Music Since Nineteen-Hundred (ICMSN), Keele University – ‘Reconfigurations in the Facture of Cambewarra: Re-experiencing a Territory’.
2009: History of Australian Music Study Day, Menzies Centre, Kings College London – ‘Reconfigurations in the Facture of Cambewarra: Re-experiencing a Territory’.
2008: Musicological Society of Australia (MSA) annual conference, Melbourne – ‘Reconfigurations in the Facture of Cambewarra: Re-experiencing a Territory’.
2007: ICMSN University of York – ‘“I would love to know how it all goes together” or “free as a bird”: improvisatory flights, indeterminacy, and two works by David Lumsdaine’.
2006: Music and Postmodernism Cultural Theory Conference: Melbourne, Australia – ‘David Lumsdaine’s Mandala 3: the self-appropriation of Ruhe Sanfte, sanfte ruh’.
2006: International Musicological Society conference (IMS), Göteborg, Sweden – ‘David Lumsdaine’s Mandala 3’. My attendance was supported by the Musical Analysis Development Fund, and The University of York.
2004: Symposium of the IMS, Melbourne, Australia – ‘David Lumsdaine’s Kelly Ground’.
2003: MSA annual conference, Wellington, New Zealand – ‘Lumsdaine’s Birds: the relationship between soundscape and notated composition’.
2002: MSA annual conference, Newcastle, Australia – ‘The recent music of Liza Lim’.

Reviews: please click here.

Liner Notes:

2008: David Lumsdaine: complete music for solo piano, Tall Poppies, TP198; liner notes for: Kelly Ground, Ruhe sanfte, sanfte ruh’, Cambewarra.





	Publications: Forthcoming monograph (2010): The Music of David Lumsdaine will be published by Southern Voices as part of a series edited by Graham Hair. Forthcoming (2010): ‘Forming, Submerging, Flames, Air: A Musical Architecture for Vic Hoyland’s Phoenix’, Tempo (accepted for publication on 17 August 2009). Forthcoming (2010): ‘David Lumsdaine’s Mandala 3’, proceedings from the 2006 International Musicological Society (IMS) conference, Göteborg, Sweden. 2008: I edited issue two of the online journal resonate. This issue re‑evaluates music from the 1960s and 1970s written by Australian composers. My own contribution is an article on the early piano music of David Lumsdaine, a series of interviews with composers and performers, and an editorial. 2004: ‘David Lumsdaine’s Kelly Ground’ in Modernism in Australian Music, 1950-2000: Eight Case Studies, ed. Graham Hair (Amaroo: Southern Voices). Conference Papers: 2010 (upcoming): Royal Musical Association annual conference, Institute of Musical Research – ‘Detailing the Wardour Castle Summer Schools’. 2009: International Conference of Music Since Nineteen-Hundred (ICMSN), Keele University – ‘Reconfigurations in the Facture of Cambewarra: Re-experiencing a Territory’. 2009: History of Australian Music Study Day, Menzies Centre, Kings College London – ‘Reconfigurations in the Facture of Cambewarra: Re-experiencing a Territory’. 2008: Musicological Society of Australia (MSA) annual conference, Melbourne – ‘Reconfigurations in the Facture of Cambewarra: Re-experiencing a Territory’. 2007: ICMSN University of York – ‘“I would love to know how it all goes together” or “free as a bird”: improvisatory flights, indeterminacy, and two works by David Lumsdaine’. 2006: Music and Postmodernism Cultural Theory Conference: Melbourne, Australia – ‘David Lumsdaine’s Mandala 3: the self-appropriation of Ruhe Sanfte, sanfte ruh’. 2006: International Musicological Society conference (IMS), Göteborg, Sweden – ‘David Lumsdaine’s Mandala 3’. My attendance was supported by the Musical Analysis Development Fund, and The University of York. 2004: Symposium of the IMS, Melbourne, Australia – ‘David Lumsdaine’s Kelly Ground’. 2003: MSA annual conference, Wellington, New Zealand – ‘Lumsdaine’s Birds: the relationship between soundscape and notated composition’. 2002: MSA annual conference, Newcastle, Australia – ‘The recent music of Liza Lim’. Reviews: please click here. Liner Notes: 2008: David Lumsdaine: complete music for solo piano, Tall Poppies, TP198; liner notes for: Kelly Ground, Ruhe sanfte, sanfte ruh’, Cambewarra.