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Fahrenheit Zero
Take the lies, distortions
and propaganda from Michael Moore's film and what do you have? Absolutely
nothing.
21jul04
I HAVE long thought Michael Moore a
liar, and should not have been shocked when I saw his "documentary"
Fahrenheit 9/11.
Even so, I was horrified.
This film - breaking box-office records in America - is so deceitful that it
makes the infamous Triumph of the Will documentary by Hitler's
propagandist, Leni Riefenstahl, seem balanced.
But what shocked me even
more than Moore's hymn of hatred of America and
its president was the reaction to it of the small audience at the preview I
saw at the Crown multiplex.
Many there clapped when
the dis-credits finally rolled. True, this wasn't
the bellowing, stamping, weeping ovation that a poisonously anti-American
crowd at the Cannes Film Festival gave Moore
before a jury of Leftists and nihilists handed him the Palme
d'Or.
Still, it was enough to
worry anyone who prizes truth and civilisation, and
I looked at the people around me, and wondered: are they so cretinous or so easily misled that they do not know that Moore lies? Or are
they, like many of the Left, so immoral or frivolous
as to not care that he lies, as long as his lies are sweet?
Before I tackle just some
of the dozens of deceptions, distortions, evasions and half-truths Moore peddles in his
film, let's look at the Big Lie he builds with them.
If there's an argument in
Fahrenheit 9/11, it is this: George W. Bush stole an election to
become President of the United States,
and invaded Afghanistan
and Iraq
to please the Saudis who bribed him, the oil companies who hired him and the
armaments companies who squired him.
Bush isn't fighting a war
on terror - look at how pally he is with the family
of al-Qaida boss Osama bin Laden. His war is really
against Americans.
THIS is Moore's Big Lie, and few of his fans mind
that it's as incoherent as it is mad. For a start, the Saudis bitterly
opposed the war on Iraq,
not least because they didn't want Iraq's oil to flow again.
So if Bush has been
bought off by the Saudis, he's chosen a crazy way to please them. In fact, he
undermined the Saudi regime by bringing freedom to Iraq
and Afghanistan,
and inspiring Saudis to ask why they can't have some, too.
Let's now look at the
"facts" behind Moore's
Big Lie. Fahrenheit 9/11 opens with scenes from the US
presidential race in 2000. We see Democrat candidate Al Gore boogying under a
big "Florida Victory" sign, as TV anchors declare he's won the vote
in Florida
and, therefore, the election.
But, Moore says, Rupert Murdoch's Fox News
channel, which hires a Bush cousin, suddenly breaks in to announce there's
been a mistake and Bush has won instead. Conspiracy! But how could Bush steal
the election in Florida?
Simple, says Moore. "Make sure
the chairman of your campaign (Florida Secretary of State Katherine Harris)
is also the vote count woman." And knock voters off the rolls "who
aren't likely to vote for you - you can usually tell them by the colour of their skin".
Lastly, get your pals on
the Supreme Court to ban another recount of votes, because, as an
"expert" tells Moore
in the film, "under every (recount) scenario Gore won the
election".
ALREADY we're up to our
knees in Moore
manure. The shots of Gore partying were taken before the polls opened. It was
not Fox, but the Left-wing CNN which was the first network to say Gore hadn't
won, after all. Harris was not in charge of counting votes. Convicted felons,
not specifically blacks, were cut from the rolls under a Florida law that was nevertheless widely
ignored.
And a six-month study of
the Florida votes by mainly Left-wing media organisations,
including the New York Times and Washington Post, found Gore
would still have lost even if disputed votes had been counted just the way he
wanted.
Sorry about this detail,
but I want to show that from the start of this lying film there is barely one
"fact" that can be trusted.
Then comes September 11. Moore shows none of the
bodies - not even the hijacked planes hitting the World Trade Centre.
Such unusual restraint -
from a propagandist who later gives us pornographic close-ups of Iraqi
children blown up by American bombs or shot in cross-fire. But where in the
film does Moore
show any real interest in the terrorists who have declared war on the West?
Where does this grotesquely irresponsible man even hint how he would deal
with fanatics who have pledged to destroy our cities with any weapon they can
find - nuclear, if possible?
Instead, Moore dodges these grim truths that real
leaders must confront, and whisks us into yet another conspiracy - that Bush
was bought off by Saudi money, and so didn't go hard after the real villains.
The Saudis.
First, the "White
House" is accused of letting 142 Saudis, including 24 members of the
huge bin Laden family, fly out of the US just after September 11
without even being grilled.
What Moore
doesn't say is that these Saudis were allowed to leave by the Bill
Clinton-appointed counter-terrorism boss at the time, Richard Clarke, who Moore uses elsewhere in
the film to dish dirt on Bush. Also not mentioned is that 30 of the Saudis
were closely interviewed by the FBI before being allowed to leave. But why
spoil the Big Lie?
Moore then says an old
friend of Bush, James Bath, managed money for members of the huge bin Laden
family (which is estranged from Osama) and Bath "in turn invested in
George W. Bush" and his oil company.
Again, not mentioned is
that Bath
insists his $50,000 investment was all his own money, not the bin Ladens'.
Moore also implies Bush was guilty of
insider trading, selling $US848,000 of shares in Harken Energy, of which he was a director, just two
months before it posted a big loss. Moore
typically fails to say that this loss was caused largely by factors not known
when Bush sold, and the shares still doubled in
value within a year.
He next claims the Saudis
invested $US1.4 billion in the Bush family, their friends and associates
through the Carlyle Group, a private investment firm that has Bush's father
as an adviser of its Asian arm.
"Is it rude to
suggest that when the Bush family wakes up in the morning they might be
thinking about what's best for the Saudis instead of what's best for
you?" he leers.
In fact, around 90 per
cent of that Saudi money was invested in Carlyle before Bush Sr joined it. Carlyle's boss, and many
other advisers, aren't Bush Republican cronies, but former officials
of Democratic presidents.
What's more, George W.
Bush has done few favors for Carlyle. In fact, a Carlyle company was one of
the few to have a big defence contract scrapped by
Bush -- the $US11 billion Crusader self-propelled gun project.
But I'll say it again --
what do facts matter to the conspiracists of the
Left?
Take Moore's
claim that our liberation of Afghanistan
from the Taliban dictatorship and its al-Qaida
allies was "really" to help America's Unocal company get a
gas pipeline built across that country.
Look, Moore,
says -- Taliban envoys visited Texas
when Bush was governor, the new Afghan president Hamid
Karzai worked for Unocal, and a gas pipeline is now
indeed being built.
HERE we go again: Bush
didn't meet the Taliban team, Karzai never worked
for Unocal, Unocal scrapped its project three years before the war, and the
pipeline Moore shows now being built is a
different project with different partners in a different bit of Afghanistan.
So many deceits. So many
wickedly doctored quotes. So many half-truths.
No, Bush didn't cut
anti-terrorist funding to the FBI. No, his Attorney-General was never told
terrorists were training as pilots in the US. No, Bush didn't fail to read
a report warning of al-Qaida attacks. No, the
Saudis do not own anywhere near "7 per cent of America".
No, that was not a dead Iraqi being mocked by US soldiers, but a drunk.
More deceits: no, the US soldiers who died in Iraq were not
disproportionately blacks. No, the coalition of the willing which freed Iraq
didn't just include tiny countries with no army, but also Britain, Australia
and Italy, none of whom Moore mentions. And on and on.
But perhaps Moore's foulest distortion is to portray Saddam's Iraq as a
happy, harmless country. Iraq
before the war is all laughing children, with boys flying kites and riding
bikes, as giggling girls cuddle smiling mothers. Nice men sip tea.
Moore shows not a single sign of
Saddam's mass graves, his gassed Kurds, his torture centres,
his official rape rooms, his critics with their tongues cut out -- nothing to
suggest, as Amnesty International said in 2002, that Iraq was a
place of "all-pervasive repression . . . and widespread terror".
Instead, Moore
suggests, that terror came only with the American bombs and bullets -- in an
onslaught so savage that every US soldier he shows seems shocked
or warped by the devastation.
FROM his film, you'd
think not one soldier backs this war, never mind one Iraqi. But how carefully
Moore must
step to avoid knocking over his cardboard fiction.
We're shown, for
instance, a US National Guardsman, Peter Damon, who's had his hands blown
off, but we're not told he's furious to find he appears in this foul film.
Likewise, Moore shows us the burial of US Air Force Major Gregory
Stone, without adding that Stone's grieving relatives say he remained a
"totally conservative Republican", and by exploiting his death Moore is a "maggot
that eats off the dead".
Moore ends his film by quoting George
Orwell -- "the war is waged by the ruling group against its own subjects
. . . to keep the very structure of society intact".
Bush's America is the true terrorist, Moore argues, at war
with its own people. But to believe that, you must believe every foul smear,
every childish deception, in his deeply deceitful movie.
Sadly, though, many smart
people do want to believe it. Facts mean nothing -- they just want to hate
the country that has fought hardest against tyrants and terrorists, from
communists to Islamists.
They will not even wonder
what it means that the Hizbollah terrorist group
has offered to help distribute this film they so love.
So heaven help America.
Heaven help its allies, too, and all who defend freedom.
bolta@heraldsun.com.au
A LONG, footnoted list of
Moore's
distortions, Fiftysix Deceits in Fahrenheit 9/11,
is on davekopel.com.
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