I am in such a perplexity, that my mind is
clearly amazed; for I never had better opinion in
woman, than I had in her – Thomas Cranmer, writing
to the King in 1536 after Anne Boleyn’s arrest.
Author: E. Ives. Hardcover: 458 pages Publisher: Blackwell Publishers
(October 30, 2004) ISBN: 0631234799
Anne Boleyn – over four hundred and sixty-eight years after her death –
is it really possible to gain a sense of the woman who woke the lion within
Henry VIII, the lion that More so rightly feared – the same lion that one
day ripped Anne Boleyn’s own life to shreds? Can we get behind the mask Anne
Boleyn represented to the world? Seen in her own times in so many guises: a
goggled eyed whore, a witch, the “scandal of Christendom,” a woman of ‘stout
heart, ’ a sainted martyr, like all of us, Anne Boleyn demonstrates the true
complexity of the human spirit.
Years ago, I read Eric Ives' “Anne Boleyn." Regarding it then as the best
and most complete biography of Anne Boleyn ever written, the book remains on
my bookshelf, as one of my most treasured Tudor reference books. When I
heard of the release of Professor Ives’ major work, I assumed it a
re-release of the original; I couldn’t imagine how Ives could improve on his
pivotal, thorough study on the life of Anne Boleyn. Wrong on both counts.
Ives revisits his great biography, first published in 1986, and makes it
anew by using additional, fascinating material and further study,
demonstrating once again what an excellent biography is all about. Although
this is more than just an excellent and satisfying biography; written with
an obvious passion for his subject, Ives’ study on Anne Boleyn’s life is
superb.
In my mind, a good biography not only introduces the reader to its
subject but seeks to go beyond simply providing a cardboard cut out; a good
biography opens the door and makes the reader engage with the subject. We
come away from Ive's work left with an image and voice - the very humanness of
its theme.
As a historical fiction author focusing on the Tudor period, I
particularly yearn for insights to assist me develop fully rounded
characters set soundly in the context of their own times. I want to know
what did they liked to wear, favourite colours, particular dislikes, what
made them cry or laugh. Ives, with his vast knowledge of this period of
English history and his extensive research of Anne Boleyn’s life, is a
historian more than able to provide these insights. Ives’
work lifts he curtain and allows us to really glimpse her
– a woman of ambition and great political ability, a woman worthy to be a
King’s consort and partner, a woman who believed God meant for her to be
queen.
Indeed, as Professor Ives highlights in this important biography, Anne
Boleyn was an intelligent, self-made woman who understood the image of
majesty almost as well as her daughter, responsible for encouraging the
early years of the English reformation.
Professor Ives biography not only mirrors back to us a clear
manifestation of Anne Boleyn but also shows behind her Henry VIII himself,
leaving us pondering many questions. Despite his great mercy of a skilled
French executioner, I find myself more adrift than ever in my attempts to
gain empathy for a King who could so easily destroy a woman he once so
loved.
Whether we agree with Ives that Anne’s destruction happened so swiftly
and that her ultimate failure in the birthing chamber to give Henry VIII a
living son bore little weight in the final outcome, Professor Ives provides
a deeper understanding as to why Cromwell, once part of Anne Boleyn’s
faction but now fearing for his own survival, found it so necessary to do
all in his power to take the queen from the chess board once and for all.
Ives also helps us appreciate why Anne Boleyn so rightly feared Mary:
“She is my death and I am hers.”
In the final analysis, Ives’s work reveals Anne Boleyn who is like most
of us, more good than bad – but also a gifted, intelligent woman so worthy
of a King's passion, giving to history her Elizabeth. Most importantly, this
biography powerfully vindicates Anne Boleyn, showing Anne and the men
murdered with her wrongfully done to death - circa Regna tonat
©Wendy J. Dunn 2005